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Pro Tips

The Staffing Decision You Make Three Months Out Is the One You Live with on Show Day. 

It might seem like just a budget item, but it’s actually a decision about risk. 

There’s something people don’t say enough during pre-production. When you ask one technician to handle two jobs, you’re making a risk decision, even if you call it a budget choice. 

Think about an operating room. A complex surgery needs 10 to 15 specialists, each with a specific job. The anesthesiologist doesn’t also keep records, and the scrub tech doesn’t monitor the patient. It’s not because they can’t do it—most of them could. But in a high-pressure, live setting, splitting focus isn’t just less efficient; it’s dangerous. It’s a setup for mistakes. 

Your keynote is just like that. Graphics, playback, camera switching, shading, recording, and LED all need full attention in real time. If you ask a graphics operator to also handle playback for several presenters, you’re not really saving money. You’re just moving the risk from the budget meeting to the show itself. You’ll notice it when a video lags, a recording is lost, or a camera cut is late during the livestream. 

Cutting the crew doesn’t eliminate the risk. It just moves it somewhere else. 

What makes this tough is that the person who feels the impact usually isn’t the one who made the decision. Your presenter is already nervous since they aren’t a professional speaker. Any problems affect them first, then the audience. By the time your stakeholders hear about it, the story is already set, and you’re the one explaining what happened. 

I understand the budget reality. Flat or shrinking, year over year. Every line item is scrutinized. Staffing is one of the first places the conversation goes. I’m not arguing for bloated crews. I’m driving for an honest conversation about which roles are being doubled up, who’s carrying the weight, and what that means for the moments that matter most. 

That conversation rarely happens. So the risk of mistakes stays hidden until it suddenly appears during the show. 

Live events aren’t brain surgery, not even close. But if you’re on stage, in the audience, or answering to an executive afterward, you’ll wish that you had allowed your team to approach it with that level of care. 

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